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        <title>blog</title>
        <description>blog</description>
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        <lastBuildDate>Mon, 06 Feb 2012 04:06:24 +0100</lastBuildDate>
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            <title>What Comes after Pain? Gendered Embodiment and Temporality in Chronic Pain Memoirs</title>
            <link>http://www.nikkireimer.com/blog/what-comes-after-pain-gendered-embodiment-and-temporality-in-chronic-pain-memoirs</link>
            <description>This is interesting. If I didn't have to work I would go.&lt;br&gt;&lt;br&gt;



&lt;img src=&quot;http://www.nikkireimer.com/resources/GilmorePoster.jpg&quot; style=&quot;width:325px;&quot; class=&quot;selected yui-img&quot;&gt;&lt;p&gt;&lt;/p&gt;&lt;br&gt;&lt;div style=&quot;text-align: right;&quot; class=&quot;yui-wk-div&quot;&gt;&amp;nbsp;



&lt;p class=&quot;p1&quot;&gt;&lt;b&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;Public Lecture: Professor Leigh Gilmore&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p class=&quot;p1&quot;&gt;86 million people worldwide have been diagnosed as&lt;/p&gt;
&lt;p class=&quot;p1&quot;&gt;suffering from chronic pain, and the number is rising. As&lt;/p&gt;
&lt;p class=&quot;p1&quot;&gt;chronic pain has increased, memoirs about the experience&lt;/p&gt;
&lt;p class=&quot;p1&quot;&gt;have begun to appear. This talk examines a cluster of&lt;/p&gt;
&lt;p class=&quot;p1&quot;&gt;chronic pain memoirs as a site for negotiating agency in the&lt;/p&gt;
&lt;p class=&quot;p1&quot;&gt;face of irremediable pain, and the interleaving at this site of&lt;/p&gt;
&lt;p class=&quot;p1&quot;&gt;biomedicine and narrative structure. Autobiography studies&lt;/p&gt;
&lt;p class=&quot;p1&quot;&gt;and feminist posthumanism help to frame this inquiry into&lt;/p&gt;
&lt;p class=&quot;p1&quot;&gt;the figuration of gendered embodiment and temporality in&lt;/p&gt;
&lt;p class=&quot;p1&quot;&gt;chronic pain memoirs.&lt;/p&gt;







&lt;p class=&quot;p1&quot;&gt;&lt;b&gt;Fri October 14 &lt;span class=&quot;s1&quot;&gt;th&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p class=&quot;p1&quot;&gt;&lt;b&gt;1 PM&lt;/b&gt;&lt;/p&gt;
&lt;p class=&quot;p2&quot;&gt;&lt;b&gt;Ike Barber Learning&lt;/b&gt;&lt;/p&gt;
&lt;p class=&quot;p2&quot;&gt;&lt;b&gt;Center Room 355&lt;/b&gt;&lt;/p&gt;
&lt;p class=&quot;p3&quot;&gt;&lt;b&gt;Snacks provided&lt;/b&gt;&lt;/p&gt;
&lt;p class=&quot;p3&quot;&gt;&lt;b&gt;INFO: janice.stewart@ubc.ca&lt;/b&gt;&lt;/p&gt;&lt;br&gt;&lt;span class=&quot;yui-non&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;/div&gt;</description>
            <pubDate>Wed, 12 Oct 2011 05:19:10 +0100</pubDate>
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            <title>Human cruelty in the name of science</title>
            <link>http://www.nikkireimer.com/blog/human-cruelty-in-the-name-of-science</link>
            <description>This is bullshit:&lt;br&gt;&lt;br&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: rgb(68, 68, 68); font-family: Arial; font-size: 14px; line-height: 21px; &quot;&gt;Stop UBC Animal Research’s months-long investigation of UBC has revealed disturbing details about the university's research. For instance, one UBC researcher has experimented on cats for 30 years. In his papers, the researcher described how he had cut open the backs of cats to expose their vertebrae, inserted titanium screws into the cats' spinal columns to inhibit movement, and built restraint chambers around the cats' exposed vertebra to give researchers access to the cats' spinal columns and to fix the animals in a sitting position for recording sessions.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span class=&quot;yui-non&quot;&gt;(From Stop UBC Animal Research &lt;a href=&quot;http://www.free-press-release.com/news-animal-rights-group-s-provocative-ad-brings-attention-to-ubc-s-animal-experiments-1315426387.html&quot; title=&quot;&quot; class=&quot;&quot;&gt;Press Release&lt;/a&gt;)&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span class=&quot;yui-non&quot;&gt;Support &lt;a href=&quot;http://stopubcanimalresearch.org/&quot; title=&quot;&quot; class=&quot;&quot;&gt;Stop UBC Animal Research&lt;/a&gt;.&lt;/span&gt;&lt;br&gt;</description>
            <pubDate>Mon, 12 Sep 2011 20:22:24 +0100</pubDate>
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            <title>This Is East Van at the the Make It! Show!</title>
            <link>http://www.nikkireimer.com/blog/this-is-east-van-at-the-the-make-it-show-</link>
            <description>I have been oh so busy and totes not keeping up with this blog. But amidst various other projectories, I am please to announce that the &lt;i&gt;This Is East Van&lt;/i&gt; photobook, which features a photo of my dearest late Baba at the old Hatch (now Rhizome Cafe) can be viewed and purchased the Make It! Vancouver fair, on now at the Croatian Cultural Centre.&lt;br&gt;&lt;br&gt;&lt;span class=&quot;yui-non&quot;&gt;Deets from &lt;a href=&quot;http://www.thisiseastvan.com/&quot; title=&quot;&quot;&gt;TIEV&lt;/a&gt; website:&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span class=&quot;yui-non&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;meta charset=&quot;utf-8&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: rgb(4, 0, 0); font-family: 'Lucida Sans Unicode', 'Lucida Grande', Tahoma, sans-serif; font-size: 12px; line-height: 21px; &quot;&gt;&lt;img src=&quot;http://www.thisiseastvan.com/storage/Picture%202.png?__SQUARESPACE_CACHEVERSION=1302655687262&quot; alt=&quot;&quot; width=&quot;246&quot; height=&quot;325&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-color: initial; text-decoration: none; &quot; class=&quot;yui-img&quot;&gt;&lt;p style=&quot;margin-bottom: 1em; margin-top: 0em; &quot;&gt;&lt;strong&gt;Join THIS IS EAST VAN April 15 - 17 at the Make It! Show.&lt;/strong&gt;&lt;/p&gt;&lt;p style=&quot;margin-bottom: 1em; margin-top: 0em; &quot;&gt;We couldn't think of a better place than the Spring Make It! show to premier the THIS IS EAST VAN book. Join us this coming wekend, have a glass of wine, and buy a book or two!&lt;br&gt;&lt;br&gt;Make It is devoted to creating positive opportunities for artists, and designers. On the flip side, Make It is a shopping event that gives enlightened shoppers the opportunity to buy unique, ethically made goods from top artisans from all over Canada...what better way to spend a Saturday afternoon!&lt;/p&gt;&lt;p style=&quot;margin-bottom: 1em; margin-top: 0em; &quot;&gt;Check out the Make It! website for all the details:&lt;a href=&quot;http://makeitproductions.com/vancouver/welcome-to-make-it/&quot; style=&quot;font-weight: bold; text-decoration: underline; color: rgb(0, 0, 0); &quot; class=&quot;&quot;&gt;&lt;br&gt;http://makeitproductions.com/vancouver/welcome-to-make-it/&lt;/a&gt;&lt;/p&gt;&lt;/span&gt;&lt;br&gt;I am hoping to Make It! down there either this afternoon or tomorrow......</description>
            <pubDate>Sat, 16 Apr 2011 22:17:46 +0100</pubDate>
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            <title>m. nourbeSe PHILIP: Tuesday March 8 at KSW!</title>
            <link>http://www.nikkireimer.com/blog/m-nourbese-philip-tuesday-march-8-at-ksw-</link>
            <description>I can't make this due to a work commitment. But you should totally go.&lt;br&gt;&lt;br&gt;&lt;meta charset=&quot;utf-8&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; font-family: arial, sans-serif; line-height: normal; &quot;&gt;&lt;h1&gt;&lt;span style=&quot;font-weight: normal; font-family: 'Arial Black'; &quot;&gt;m. nourbeSe PHILIP&lt;/span&gt;&lt;/h1&gt;&lt;p&gt;&lt;span style=&quot;font-family: Arial; &quot;&gt;&lt;span style=&quot;font-size: small; font-weight: bold; &quot;&gt;Tuesday March 8, 2011&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: Arial; &quot;&gt;&lt;span style=&quot;font-size: small; font-weight: bold; &quot;&gt;W2 Community Meeting Space, Woodward's Heritage Building&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: Arial; &quot;&gt;&lt;span style=&quot;font-size: small; font-weight: bold; &quot;&gt;111 W Hastings St. - Suite 250&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: Arial; &quot;&gt;&lt;span style=&quot;font-size: small; font-weight: bold; &quot;&gt;Doors 7, Reading 7:30&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 14px/normal Helvetica; &quot;&gt;&lt;br&gt;&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 14px/normal Helvetica; &quot;&gt;&lt;span style=&quot;font-size: medium; &quot;&gt;&lt;span style=&quot;font-weight: bold; &quot;&gt;M. NourbeSe Philip&amp;nbsp;&lt;/span&gt;is a poet, writer, and lawyer who lives in the City of Toronto. She was born in Tobago and now lives in Canada. She is the author of She Tries Her Tongue, Her Silence Softly Breaks (1988), Looking for Livingstone: An Odyssey of Silence (1991), Frontiers: Essays and Writings on Racism and Culture (1992), A Genealogy of Resistance and Other Essays (1997), Coups and Calypsos (2001), and many other works. Her most recent book, Zong! (2008), uses only language taken from the Gregson v. Gilbert decision, a 1783 legal case resulting from the deliberate drowning of 150 slaves. Among her many accolades, Philip is the winner of the Casa de las Americas Prize, the Tradewinds Collective Prize, the Lawrence Foundation Award, the Toronto Arts Award, and a Guggenheim Fellowship.&lt;/span&gt;&lt;/p&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;div align=&quot;right&quot; style=&quot;text-align: left; font-family: Helvetica; &quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: arial; &quot;&gt;&lt;span style=&quot;font-size: 12pt; &quot;&gt;&lt;span style=&quot;font-size: 12pt; &quot;&gt;&lt;span style=&quot;font-size: 10pt; &quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: Arial; &quot;&gt;&lt;span style=&quot;font-size: 10pt; &quot;&gt;&lt;span style=&quot;font-size: 8pt; font-family: Georgia; &quot;&gt;&lt;span style=&quot;font-size: 12pt; font-family: arial; &quot;&gt;&lt;span style=&quot;font-size: 12pt; &quot;&gt;&lt;span style=&quot;font-size: 12pt; &quot;&gt;&lt;span style=&quot;font-size: 10pt; &quot;&gt;&lt;span style=&quot;font-size: 8pt; 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            <pubDate>Sun, 06 Mar 2011 20:53:49 +0100</pubDate>
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            <title>The Capilano Review 3.13 Manifestos Now! Launch |Feb. 22, VAG</title>
            <link>http://www.nikkireimer.com/blog/the-capilano-review-3-13-manifestos-now-launch-feb-22-vag</link>
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    color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;3.13 Manifestos Now!&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:19.5pt;font-family:Tahoma;mso-fareast-font-family:
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    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
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    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
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    mso-bidi-font-family:Tahoma;color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;This
    special issue of Canadian and international manifestos—including work from &lt;b&gt;Christian
    Bök, Marie-Hélène Tessier, Sabine Bitter/Helmut Weber, Gregory Betts, Derek
    Beaulieu, Frank Davey, Hadley+Maxwell, and more&lt;/b&gt;—examines and revives
    the manifesto genre in a contemporary context.&lt;/span&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:9.0pt;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;color:#999999;mso-fareast-language:EN-CA&quot;&gt;&lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;font class=&quot;Apple-style-span&quot; color=&quot;#999999&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: 12px; &quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:
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    mso-bidi-font-family:Tahoma;color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;Join
    us at the&lt;/span&gt;&lt;b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:14.5pt;mso-bidi-font-size:
    11.0pt;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:22.5pt;mso-bidi-font-size:11.0pt;font-family:
    Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:Tahoma;
    color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;Vancouver Art Gallery&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:16.5pt;mso-bidi-font-size:11.0pt;font-family:
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    color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:20.5pt;mso-bidi-font-size:11.0pt;font-family:Tahoma;
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    color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;&lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:
    Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:Tahoma;
    mso-fareast-language:EN-CA&quot;&gt;as we launch our issue &lt;span style=&quot;color:#1C1B1C&quot;&gt;with
    readings by &lt;b&gt;Colin Browne, Margot Leigh Butler, Reg Johanson, &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:
    Tahoma;mso-bidi-font-family:Tahoma&quot;&gt;Brenn Kapitan,&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt; Kim
    Minkus, Phoenix, Nikki Reimer, Sheila Ross, Edward Top, and more . . .&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;mso-fareast-language:EN-CA&quot;&gt;&lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:Tahoma;mso-bidi-font-family:Tahoma&quot;&gt;&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;mso-fareast-language:EN-CA&quot;&gt;&lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;February
    22, 2011, Readings at 8 pm&lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:
    Tahoma;mso-bidi-font-family:Tahoma&quot;&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:
    Tahoma;mso-bidi-font-family:Tahoma&quot;&gt;We will gather in the exhibition rooms
    for the Vancouver Art Gallery’s own ‘WE: Vancouver – 12 Manifestos for the
    City.’&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;Between 7 and 8 pm, VAG
    curators will offer a tour of their Manifestos exhibition. Between 8 and 9
    pm, readers from TCR's Manifestos Now! Issue will perform. The event is
    open to all by donation.&lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:
    Tahoma;mso-bidi-font-family:Tahoma&quot;&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:
    19.0pt;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;and
    at the &lt;/span&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:22.5pt;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;Teck
    Gallery&lt;/span&gt;&lt;/b&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:19.0pt;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt; &lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:14.0pt;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;Opening
    Reception &lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:14.0pt;font-family:
    Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:Tahoma;
    color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;and &lt;b&gt;Panel Discussion&lt;/b&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;p&gt;&lt;/p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:12.0pt;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;March
    3, 2011 at 7 pm&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:9.0pt;
    font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:
    Tahoma;color:#999999;mso-fareast-language:EN-CA&quot;&gt;&lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:
    Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:Tahoma;
    color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;Room 7000, SFU Harbour Centre, 515
    West Hastings, Vancouver&lt;/span&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:Tahoma;
    mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;mso-bidi-font-family:Tahoma;
    color:#999999;mso-fareast-language:EN-CA&quot;&gt;&lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:
    Tahoma;mso-bidi-font-family:Tahoma&quot;&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:
    Tahoma;mso-bidi-font-family:Tahoma&quot;&gt;Selected contributors to TCR's
    Manifestos Now! issue are being exhibited by SFU's Teck Gallery. On March 3
    we will celebrate the exhibition at a reception and panel discussion with &lt;/span&gt;&lt;b&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;Brian
    Ganter, Lisa Robertson, Marie-Hélène Tessier, Pierre Coupey, and Reg
    Johanson.&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-CA&quot;&gt; &lt;/span&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-family:Tahoma;mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;;
    mso-bidi-font-family:Tahoma;color:#1C1B1C;mso-fareast-language:EN-CA&quot;&gt;The
    panel will be followed by a walking tour of the exhibition, which runs from
    February 22-May 27.&lt;/span&gt;&lt;/p&gt;
    &lt;p style=&quot;margin-bottom:0in;margin-bottom:.0001pt;
    line-height:normal;tab-stops:368.55pt&quot;&gt;&lt;span lang=&quot;EN-CA&quot; style=&quot;font-size:
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    mso-bidi-font-family:Tahoma;color:#999999;mso-fareast-language:EN-CA&quot;&gt;&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;!--EndFragment--&gt;&lt;/b&gt;&lt;/span&gt;&lt;/font&gt;</description>
            <pubDate>Sat, 19 Feb 2011 21:08:50 +0100</pubDate>
        </item>
        <item>
            <title>Open Letter to Premier Campbell regarding the Howling Dog Tours / Outdoor Adventures Sled Dog Cull</title>
            <link>http://www.nikkireimer.com/blog/open-letter-to-premier-campbell-regarding-the-howling-dog-tours-outdoor-adventures-sled-dog-cull</link>
            <description>A version of this letter has been sent to the &lt;i&gt;Globe&lt;/i&gt;, the &lt;i&gt;Sun&lt;/i&gt;, the &lt;i&gt;Province&lt;/i&gt;, the &lt;i&gt;Times Colonist&lt;/i&gt;.&lt;br&gt;&lt;br&gt;&lt;span&gt;Thanks to Kulpreet Singh's &lt;a href=&quot;http://www.nikkireimer.com/http://www.facebook.com/topic.php?topic=415&amp;amp;uid=180065432029885&quot; class=&quot;&quot;&gt;12 Steps You Can Take&lt;/a&gt; post and Julia Trop's &lt;a href=&quot;http://juliatrops.com/2011/02/01/dog-sled-cull-or-more-properly-executions-after-bc-winter-olympics/&quot; class=&quot;&quot;&gt;Dog Sled Cull&lt;/a&gt; post.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span&gt;&lt;br&gt;&lt;span&gt;--------&lt;/span&gt;&lt;br&gt;&lt;/span&gt;&lt;br&gt;February 1, 2011&amp;nbsp;&lt;br&gt;&lt;br&gt;Premier Gordon Campbell&amp;nbsp;&lt;br&gt;&lt;br&gt;RE: Howling Dog Tours / Outdoor Adventures Sled Dog Cull&amp;nbsp;&lt;br&gt;&lt;br&gt;I am deeply concerned about the recent execution of 100 dogs by Whistler sled dog company Howling Dog Tours. I believe that you were as distressed and horrified as I was to learn that these perfectly healthy animals were cruelly and inhumanely slaughtered when they ceased to be economically beneficial to the company.&amp;nbsp;&lt;br&gt;&lt;br&gt;I am an animal lover and I believe that all sentient beings should be treated with respect and should be allowed to live free of pain and unneccessary suffering. I am writing to you today to ask that you take steps to ensure that such a horrific act does not happen again. &amp;nbsp;&lt;br&gt;&lt;span class=&quot;yui-non&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br&gt;The first thought that I had, upon recovering from my emotional distress at this news, was that these types of cruelties are perhaps inevitable whenever we use animals as an economic driver.&amp;nbsp;&lt;br&gt;&lt;br&gt;The second thought was that our provincial/federal animal cruelty laws are weak; therefore travesties like this will continue to occur. &amp;nbsp;&lt;br&gt;&lt;br&gt;Finally, I find it despicable that the individual in question obeyed the apparent command by his employer to cull the dogs, rather than seeking outside assistance. As has been noted in the media, surely rescue groups would have stepped in to help, had they known? I would like to believe that had it been me, I would have alerted the media rather than be responsible
for such suffering. The fact that the public has learned of this due to the worker’s WorkSafe BC claim, rather than a whistleblower, is also disheartening. &amp;nbsp;&lt;br&gt;&lt;br&gt;However, in addition to trying to change hearts and minds around the subject of animal welfare, we need our government to enact strong laws to back us up.&amp;nbsp;&lt;br&gt;&lt;br&gt;Therefore the questions that I have to ask of you today are: &amp;nbsp;&lt;br&gt;&lt;br&gt;1) How soon will you be regulating this industry to ensure this doesn't happen again? &amp;nbsp;&lt;br&gt;&lt;br&gt;2) What are you going to do to ensure that there are high standards of animal care in this province? &amp;nbsp;&lt;br&gt;&lt;br&gt;3) Why has the province not reinstated public funding for the BC SPCA?&amp;nbsp;&lt;br&gt;&lt;br&gt;I thank you for your time.&amp;nbsp;&lt;br&gt;&lt;br&gt;Respectfully,&amp;nbsp;&lt;br&gt;Nikki Reimer&amp;nbsp;&lt;br&gt;Vancouver, BC&amp;nbsp;&lt;br&gt;&lt;br&gt;CC: BC MLAS;
Whistler Town Council; Whistler Tourism; &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;The
Globe and Mail&lt;/i&gt;; &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;Times Colonist&lt;/i&gt;; &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;The Vancouver Sun&lt;/i&gt;; &lt;i style=&quot;mso-bidi-font-style:
normal&quot;&gt;The Vancouver Province&lt;/i&gt;&lt;p&gt;&lt;/p&gt;</description>
            <pubDate>Wed, 02 Feb 2011 06:15:08 +0100</pubDate>
        </item>
        <item>
            <title>Blackout, Revisited | Enpipe Line, Enacted</title>
            <link>http://www.nikkireimer.com/blog/blackout-revisited-enpipe-line-enacted</link>
            <description>&lt;i&gt;Posted 1/24/11 on Lemon Hound.&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;meta charset=&quot;utf-8&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 18px; &quot;&gt;&lt;a href=&quot;http://alexleslie.files.wordpress.com/2011/01/to-end.jpg?w=418&amp;amp;h=795&quot; style=&quot;text-decoration: none; color: rgb(119, 119, 119); &quot;&gt;&lt;img src=&quot;http://alexleslie.files.wordpress.com/2011/01/to-end.jpg?w=418&amp;amp;h=795&quot; border=&quot;0&quot; alt=&quot;&quot; style=&quot;border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-width: initial; border-color: initial; position: relative; padding-top: 5px; padding-right: 5px; padding-bottom: 5px; padding-left: 5px; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(255, 255, 255); border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-color: rgb(238, 238, 238); border-right-color: rgb(238, 238, 238); border-bottom-color: rgb(238, 238, 238); border-left-color: rgb(238, 238, 238); -webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; text-align: center; cursor: pointer; width: 418px; height: 796px; background-position: initial initial; background-repeat: initial initial; &quot;&gt;&lt;/a&gt;&lt;br&gt;The current issue of Vancouver lit magazine&amp;nbsp;&lt;span style=&quot;font-style: italic; &quot;&gt;&lt;a href=&quot;http://www.subterrain.ca/&quot; style=&quot;text-decoration: none; color: rgb(119, 119, 119); &quot;&gt;Subterrain&lt;/a&gt;&lt;/span&gt;&amp;nbsp;has published essays by writers Elizabeth Bachinsky and Alex Leslie on their BLACKOUT AT THE CANDAHAR project, an erasure-as-intervention experimental poetry response to the Vancouver Olympics on which I&amp;nbsp;&lt;a href=&quot;http://lemonhound.blogspot.com/2010/02/nikki-reimer-on-expo-ernie-candahar-bar.html&quot; style=&quot;text-decoration: none; color: rgb(119, 119, 119); &quot;&gt;posted last February.&lt;/a&gt;&amp;nbsp;The poems, created by visitors to the bar during the 14 day Olympic occupation, were unable to be printed in&amp;nbsp;&lt;span style=&quot;font-style: italic; &quot;&gt;Subterrain&lt;/span&gt;&amp;nbsp;due to &quot;copyright concerns,&quot; however Alex has posted a sampling, of which the above is borrowed, on her&amp;nbsp;&lt;a href=&quot;http://alexleslie.wordpress.com/2011/01/22/public-art-project-essays-photos-in-subterrain/&quot; style=&quot;text-decoration: none; color: rgb(119, 119, 119); &quot;&gt;blog&lt;/a&gt;.&lt;br&gt;&lt;br&gt;January feels like a blackout.&lt;br&gt;&lt;br&gt;But I'm kept upright by the political energy and activism of the poets around me, like Christine Leclerc and her&amp;nbsp;&lt;a href=&quot;http://christineleclerc.com/&quot; style=&quot;text-decoration: none; color: rgb(119, 119, 119); &quot;&gt;Enpipeline Project&lt;/a&gt;, a 1,173km poem involv­ing col­lab­o­ra­tion from poets and writ­ers around the world. There is a thoughtful&amp;nbsp;&lt;a href=&quot;http://www.geist.com/blogs/daniel/2010/12/1173km-poem-enpipe-line-project&quot; style=&quot;text-decoration: none; color: rgb(119, 119, 119); &quot;&gt;interview&lt;/a&gt;&amp;nbsp;with Christine about the project by Daniel Zomparelli over on his Geist blog.&amp;nbsp;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-style: italic; &quot;&gt;(Disclosure: The writers I reference in this post are all people I consider friends, as well as colleagues. And for this I consider myself fortunate.)&lt;/span&gt;&lt;br&gt;&lt;/span&gt;</description>
            <pubDate>Tue, 25 Jan 2011 04:38:44 +0100</pubDate>
        </item>
        <item>
            <title>Screaming Weenie's Clean Sheets 2011</title>
            <link>http://www.nikkireimer.com/blog/screaming-weenie-s-clean-sheets-2011</link>
            <description>&lt;meta charset=&quot;utf-8&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: arial, sans-serif; line-height: normal; border-collapse: collapse; &quot;&gt;FOR IMMEDIATE RELEASE&lt;br&gt;07 December 2010&lt;br&gt;&lt;br&gt;Screaming Weenie's CLEAN SHEETS 2011 Announced&lt;br&gt;&lt;br&gt;VANCOUVER, BC - Screaming Weenie Productions is pleased to announce the 2011&lt;br&gt;edition of our Clean Sheets annual development series of original&lt;br&gt;Queer-themed plays. &amp;nbsp; Screaming Weenie's Clean Sheets will take place in&lt;br&gt;August at the Roundhouse Performance Centre in Vancouver as part of the 2011&lt;br&gt;Queer Arts Festival.&lt;br&gt;&lt;br&gt;Curated by Vancouver theatre artists Seán Cummings and C. E. Gatchalian,&lt;br&gt;Screaming Weenie's Clean Sheets features up to four plays selected from an&lt;br&gt;open, nationwide call for submissions. Each script will be workshopped with&lt;br&gt;a professional dramaturge and actors, followed by a staged reading.&lt;br&gt;&lt;br&gt;The 2009 and 2010 editions included playwrights from Eastern, Western and&lt;br&gt;Northern Canada. &amp;nbsp;Participating artists included Jan Derbyshire, Dean Paul&lt;br&gt;Gibson, James Fagan Tait, Lesley Ewen, Ilena Lee Cramer, Seán Cummings,&lt;br&gt;Heather Lindsay, Hamza Adam, Siobhan Barker, Marci T House, Liza Huget,&lt;br&gt;Damian Rumph, Emelia Symington Fedy, Jack Paterson, Daryl King, Christina&lt;br&gt;Schild and Adrienne Wong.&lt;br&gt;&lt;br&gt;Deadline for submissions must be post-dated no later than 15 February, 2011.&lt;br&gt;&lt;br&gt;Details and application guidelines posted on-line at&amp;nbsp;&lt;a href=&quot;http://screamingweenie.com/&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;screamingweenie.com&lt;/a&gt;&lt;br&gt;&amp;lt;&lt;a href=&quot;http://www.screamingweenie.com/&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;http://www.screamingweenie.&lt;wbr&gt;com/&lt;/a&gt;&amp;gt;&lt;br&gt;&lt;br&gt;Screaming Weenie's mission is to produce and promote Queer and sex-positive&lt;br&gt;performance, to support a strong Queer cultural community, and to create&lt;br&gt;greater positive public awareness and acceptance of Queer individuals and&lt;br&gt;groups outside of sex and gender norms. &amp;nbsp;We are committed to the development&lt;br&gt;of sexual and/or gender Queer artists, and are actively inclusive of all&lt;br&gt;gender identities, sexualities and ethnicities.&lt;br&gt;&lt;br&gt;&lt;br&gt;&amp;nbsp;-30-&lt;br&gt;&lt;br&gt;&lt;br&gt;For more information, contact Seán Cummings directly at&lt;br&gt;&lt;br&gt;778.840.7132 or&amp;nbsp;&lt;a href=&quot;mailto:sean@screamingweenie.com&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;sean@screamingweenie.com&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/span&gt;</description>
            <pubDate>Tue, 04 Jan 2011 02:27:47 +0100</pubDate>
        </item>
        <item>
            <title>Failure! (I did not read 95 books this year)</title>
            <link>http://www.nikkireimer.com/blog/failure-i-did-not-read-95-books-this-year-</link>
            <description>&lt;meta charset=&quot;utf-8&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Palatino, Georgia, 'Times New Roman', serif; font-size: 14px; line-height: 19px; color: rgb(25, 25, 25); &quot;&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0.5em; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-weight: inherit; font-style: inherit; font-size: 14px; font-family: inherit; vertical-align: baseline; &quot;&gt;&lt;br class=&quot;Apple-interchange-newline&quot;&gt;I was the desperate little caboose (with a giant caboose) trying to think his way to the top of the mountain….alas, alack. I failed. I spent too much time on the internets, likely, and not enough focused time inside a book. There’s always next year, yes?&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0.5em; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-weight: inherit; font-style: inherit; font-size: 14px; font-family: inherit; vertical-align: baseline; &quot;&gt;My last three:&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0.5em; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-weight: inherit; font-style: inherit; font-size: 14px; font-family: inherit; vertical-align: baseline; &quot;&gt;&lt;strong style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-weight: inherit; font-style: inherit; font-size: 14px; font-family: inherit; vertical-align: baseline; &quot;&gt;83. The Obituary by Gail Scott.&lt;/strong&gt;&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0.5em; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-weight: inherit; font-style: inherit; font-size: 14px; font-family: inherit; vertical-align: baseline; &quot;&gt;Like, fuck, yeah. Again. More. Again.&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0.5em; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-weight: inherit; font-style: inherit; font-size: 14px; font-family: inherit; vertical-align: baseline; &quot;&gt;&lt;strong style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-weight: inherit; font-style: inherit; font-size: 14px; font-family: inherit; vertical-align: baseline; &quot;&gt;84. Revenge Fantasies of the Politically Dispossessed by Jacob Wren&lt;/strong&gt;&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0.5em; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-weight: inherit; font-style: inherit; font-size: 14px; font-family: inherit; vertical-align: baseline; &quot;&gt;Narrative how narrative was meant to be written, and read. Brutally darkly comic indictment of the political left’s successes and failures. Starkly realistic depiction of human sexual interaction and its fallouts.&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0.5em; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-weight: inherit; font-style: inherit; font-size: 14px; font-family: inherit; vertical-align: baseline; &quot;&gt;&lt;strong style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-weight: inherit; font-style: inherit; font-size: 14px; font-family: inherit; vertical-align: baseline; &quot;&gt;85. Poets and Killers: A Life in Advertising by Helen Hajnoczky&lt;/strong&gt;&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0.5em; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-weight: inherit; font-style: inherit; font-size: 14px; font-family: inherit; vertical-align: baseline; &quot;&gt;Perfect tonic for anyone blindly drunk on Mad Men’s gin.&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0.5em; padding-right: 0px; padding-bottom: 0.5em; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-weight: inherit; font-style: inherit; font-size: 14px; font-family: inherit; vertical-align: baseline; &quot;&gt;-Nikki&lt;/p&gt;&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span class=&quot;yui-non&quot;&gt;Here is my list:&lt;/span&gt;&lt;br&gt;&lt;meta name=&quot;Title&quot; content=&quot;&quot;&gt;
&lt;meta name=&quot;Keywords&quot; content=&quot;&quot;&gt;





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&lt;ol style=&quot;margin-top:0in&quot; start=&quot;1&quot; type=&quot;1&quot;&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Prismatic
     Publics – Ed. Heather Milne &amp;amp; Kate Eichhorn&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Mommy
     Must Be a Mountain of Feathers – Kim Hyesoon, Trans. Don Mee Choi&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Open
     Letter 13&lt;sup&gt;th&lt;/sup&gt; Series, Number 9, Summer 2009. ‘Beyond Stasis:
     Poetics &amp;amp; Feminism Today.’&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Home
     On the Range (The Night Sky with Stars in My Mouth) – Tenney Nathanson&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Dog Who Rescues Cats: The True Story of Ginny – Philip Gonzalez &amp;amp;
     Leonore Fleischer&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Remember
     to Wave – Kaia Sand&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Value of Nothing – Raj Patel&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Food
     Rules: An Eater’s Manual – Michael Pollan&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Vancouver
     Special – Charles Demers&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Maximum
     Gaga – Lara Glenum&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Hegemonic
     Love Potion&lt;a name=&quot;OLE_LINK1&quot;&gt; – &lt;/a&gt;Jules Boykoff&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Tove
     Jannson – Moomin: The Complete Tove Jansson Comic Strip Volume 1&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Tove
     Jannson – Moomin: The Complete Tove Jansson Comic Strip Volume 2&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Tove
     Jannson – Moomin: The Complete Tove Jansson Comic Strip Volume 3&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Automaton
     Biographies – Larissa Lai&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Man
     and his Symbols – edited with an introduction by Carl G. Jung&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Radi
     os – Ronald Johnson&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Others Raisd in Me – Gregory Betts&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;God of
     Missed Connections – Elizabeth Bachinsky&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;More
     House – Hannah Calder&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Andre
     Kertesz, The Early Years&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Neighbour
     Procedure – Rachel Zolf&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Inquisition Yours – Jen Currin&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Politics of Poetic Form: Poetry and Public Policy, Ed. Charles Bernstein&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;For
     Her Own Good: Two Centuries of the Experts’ Advice to Women – Barbara
     Ehrenreich and Deirdre English&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;White
     Shirt – Laurie MacFayden&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Adebe
     D.A. – Ex Nihilo&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Fallacies
     of Motion – William Nichols&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Standoff
     Terrain – Jocko Benoit&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Attenuations
     of Force – Lori Cayer&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Falling
     Blues – Jannie Edwards&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Learning
     to Count – Douglas Burnet Smith&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Children
     of Ararat – Keith Garebian&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Confessions
     of an Empty Purse – S. McDonald&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Women
     and Madness – Phyllis Chesler&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Precordial
     Thump – Zoe Whittall&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Underachiever’s Manifesto – Ray Bennett, M.D.&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Light
     Sweet Crude – Nancy Shaw &amp;amp; Catriona Strang&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Laundromat Essay – Kyle Buckley&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Why
     Are You Laughing? Open Letter Fourteenth Series Number 2 Edited by
     Jonathan Ball and Ryan Fitzpatrick&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Selves – Sonja Ahlers&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Plummet
     – Chris Nealon&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Joyous Age – Chris Nealon&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;How to
     Write – derek beaulieu&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Joy is
     So Exhausting – Susan Holbrook&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Sorrow and the Fast of It – Nathalie Stephens&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;R’s
     Boat – Lisa Robertson&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Television
     – Jacques Lacan&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Prescription Errors – Charles Demers&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Dupe!
     – Jonathon Wilcke&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Presocratic
     Blues&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;– Joel Bettridge&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Voodoo
     Heart&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;– Scott Snyder&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Decompositions&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp; &lt;/span&gt;– Ken Belford&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;&lt;span style=&quot;mso-spacerun: yes&quot;&gt;&amp;nbsp;&lt;/span&gt;Bardy Google – Frank Davey&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Rose Concordance – Angela Carr&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;feria:
     a poempark – Oana Avasilichioaei&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Age of Briggs &amp;amp; Stratton – Peter Culley&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Scrapbook
     of My Years as a Zealot – Nicole Markotic&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Sweet
     – Dani Couture&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Troubled
     – R.M. Vaughn&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Breakfast
     at Tiffany’s – Truman Capote&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Body
     Breakdowns: Tales of Illness + Recovery Ed. Janis Harper&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;7
     Chapbooks: What Is Venice by Louis Cabri; --that can't by Louis
     Cabri;&amp;nbsp;The Last Narrative of Mrs. David Thompson, ed. by Robert
     Kroetsch;&amp;nbsp;Ten Simple Questions for David Thompson, recorded by Robert
     Kroetsch;&amp;nbsp;Abandon, ed. by Natalie Simpson;&amp;nbsp;Predictions Vancouver
     01.31.2010: 5th annual pooka poetry pub crawl, ed. by Warren Dean
     Fulton;&amp;nbsp;escraches - Reg Johanson&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Certainty Dream – Kate Hall&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;S*PeRM**K*T
     – Harryette Mullen&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Real
     Phonies: Cultures of Authenticity in Post-World War II America by Abigail
     Cheever&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Hayflick Limit – Matthew Tierney&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Personal
     Development for Smart People: The Conscious Pursuit of Personal Growth –
     Steve Pavlina&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;How to
     be Idle – Tom Hodgkinson&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Bright-Sided:
     How the Relentless Promotion of Positive Thinking Has Undermined America –
     Barbara Ehrenreich&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Curves
     to the Apple – Rosmarie Waldrop&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;declining
     america – Rob Budde&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;ex
     machina – Jonathan Ball&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Quarter-Life
     Crisis: Only the Good Die Yung – Evan Munday&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Unleashed
     – Sina Queyras&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Game
     Show Reversed – kevin mcpherson eckhoff&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Indexical
     Elegies – Jon Paul Fiorentino&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Inventory
     – Marguerite Pigeon&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;ecologue
     – Ken Belford&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Every
     Day in the Morning (Slow) – Adam Seelig&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Recipes
     From The Red Planet – Meredith Quartermain&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Clockfire
     – Jonathan Ball&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;The
     Obituary – Gail Scott&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Revenge
     Fantasies of the Politically Dispossessed – Jacob Wren&lt;/li&gt;
 &lt;li style=&quot;mso-list:l0 level1 lfo1;tab-stops:list .5in&quot;&gt;Poets
     and Killers: A Life in Advertising – Helen Hajnoczky&lt;/li&gt;
&lt;/ol&gt;

&lt;p style=&quot;margin-left:.5in&quot;&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;/p&gt;

&lt;!--EndFragment--&gt;</description>
            <pubDate>Mon, 03 Jan 2011 23:42:12 +0100</pubDate>
        </item>
        <item>
            <title>Jordan Scott: Flub and Utter</title>
            <link>http://www.nikkireimer.com/blog/jordan-scott-flub-and-utter</link>
            <description>Posted to Lemon Hound on Monday, December 13&lt;br&gt;&lt;br&gt;&lt;span class=&quot;yui-non&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;meta charset=&quot;utf-8&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 18px; &quot;&gt;'Tis mid-December, several days till solstice, several more days till the Festival of Plastic. I've spent the day in a mild state of panic, wrapping various locally-purchased, artist/isan-made items in locally-purchased brown kraft paper to stuff in my suitcase, as if any of that can absolve my participation in the annual consumer-capitalist wet dream. This is the opposite of poetry.&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://3.bp.blogspot.com/_JsQusWtZ6hg/TQWugbPGDdI/AAAAAAAAAb8/amUHY35R-wE/s1600/flubandutter.jpg&quot; style=&quot;text-decoration: none; color: rgb(119, 119, 119); &quot;&gt;&lt;img src=&quot;http://3.bp.blogspot.com/_JsQusWtZ6hg/TQWugbPGDdI/AAAAAAAAAb8/amUHY35R-wE/s400/flubandutter.jpg&quot; border=&quot;0&quot; alt=&quot;&quot; id=&quot;BLOGGER_PHOTO_ID_5550033987894119890&quot; style=&quot;border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-width: initial; border-color: initial; position: relative; padding-top: 5px; padding-right: 5px; padding-bottom: 5px; padding-left: 5px; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(255, 255, 255); border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-color: rgb(238, 238, 238); border-right-color: rgb(238, 238, 238); border-bottom-color: rgb(238, 238, 238); border-left-color: rgb(238, 238, 238); -webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; text-align: center; cursor: pointer; width: 400px; height: 209px; background-position: initial initial; background-repeat: initial initial; &quot;&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;Here's some actual poetry, conceived and filmed by the National Film Board of Canada: an interactive film featuring Jordan Scott's&amp;nbsp;&lt;span style=&quot;font-style: italic; &quot;&gt;&lt;a href=&quot;http://www.chbooks.com/catalogue/blert&quot; style=&quot;text-decoration: none; color: rgb(119, 119, 119); &quot;&gt;Blert&lt;/a&gt;&lt;/span&gt;. It is titled&amp;nbsp;&lt;a href=&quot;http://interactive.nfb.ca/#/flubandutter&quot; style=&quot;text-decoration: none; color: rgb(119, 119, 119); &quot;&gt;Flub and Utter, a poetic memoir of the mouth.&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://3.bp.blogspot.com/_JsQusWtZ6hg/TQWvfgzp6qI/AAAAAAAAAcE/hIfjFaa7kpk/s1600/blert.jpg&quot; style=&quot;text-decoration: none; color: rgb(119, 119, 119); &quot;&gt;&lt;img src=&quot;http://3.bp.blogspot.com/_JsQusWtZ6hg/TQWvfgzp6qI/AAAAAAAAAcE/hIfjFaa7kpk/s400/blert.jpg&quot; border=&quot;0&quot; alt=&quot;&quot; id=&quot;BLOGGER_PHOTO_ID_5550035071721400994&quot; style=&quot;border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-width: initial; border-color: initial; position: relative; padding-top: 5px; padding-right: 5px; padding-bottom: 5px; padding-left: 5px; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(255, 255, 255); border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-color: rgb(238, 238, 238); border-right-color: rgb(238, 238, 238); border-bottom-color: rgb(238, 238, 238); border-left-color: rgb(238, 238, 238); -webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; text-align: center; cursor: pointer; width: 400px; height: 211px; background-position: initial initial; background-repeat: initial initial; &quot;&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;It, like Scott's poetry, is crunchy, tactile, delicious.&lt;br&gt;&lt;/span&gt;</description>
            <pubDate>Wed, 15 Dec 2010 05:07:57 +0100</pubDate>
        </item>
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